Highway Man
Tom Cochrane rode the highway all night long. I did it in the daytime, like a grown-up, and I stopped for snacks. Three hours from Medicine Hat, a lot of cows, and exactly two pronghorn.
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A piece of writing a day for one hundred days — small, finished things, shipped before they get precious. Showing up at the desk on a schedule and letting momentum do what waiting for the muse never has. Some will sing. Some hum. All will ship.
26 pieces · newest first
Tom Cochrane rode the highway all night long. I did it in the daytime, like a grown-up, and I stopped for snacks. Three hours from Medicine Hat, a lot of cows, and exactly two pronghorn.
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Expanding a business is expensive, risky, and frankly scary. My message to these brave souls never changes, and it has less to do with markets than with telling the truth.
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Google Maps said I'd arrived, so here I am in Medicine Hat. I don't not love it. But every quadrant has the same chain stores and the same awful parking lot built for cars that never want to go home.
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There will probably be houses of straw, sticks and brick. There may be a talent show rap-battle-dance-off. We don't know yet, and that's most of the reason I keep coming back.
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It's one thing to have an idea, another to get it onto paper, and another thing entirely to watch it leave your hands and go home with someone who wanted it.
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Put me on the spot with a Sharpie, a stack of paper, and a room full of cat people, and fun is guaranteed. By the end of the day, the Stoopid Stick Cats had drifted toward fine art.
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Last year I doodled a cat for every book sold, and by Sunday the doodles had escalated into something resembling effort. This year: the Stoopid Stick Cat™. Simpler. Faster. Arguably worse.
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I used to write first thing in the morning. Lately it happens right before bed, because the day got away from me. Again. Somewhere in there, a rhythm changed and forgot to tell me.
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Would I miss the tilde if it vanished tomorrow? Would I go hunting for the ALT code, or quietly get on with my life? I've started wondering what these symbols are actually for.
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More like Labour of Love Day, amiright? The chilli pot is huge, a week of meals easy, and somewhere in the grocery aisles I decided the whole thing needed bread bowls to live in.
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The tree out front is turning red instead of yellow, but only on the side where the hummingbird feeder hangs. Is it sentient? Is it an octopus? Meanwhile, I made muffins.
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The timeline was insane. Custom linocuts, a new imprint, an ISBN, a bar code, six greeting cards, a bookmark for good measure, and an ecommerce site we insist on calling SHOW-PIFFY.
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Tonight's answer to the never-ending dinner question is a pasta-carb extravaganza with salad and peas. Why peas? I dunno. I love them, and I throw them into whatever will hold still.
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Jenn wrote another book. Well, technically her cat Newton wrote it, and I'm not going to argue authorship with a cat who has strong feelings about Christmas.
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The leaves have started turning in our yard, the mornings have gone crisp, and best of all, I don't have to cut the lawn. Small mercies arrive quietly at the end of August.
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Four games in, a character showed up at the end of a chapter and named herself. I have no idea how I'll reconcile what she set in motion, and I can't wait to find out.
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When Mabel isn't killing things, she can be found relaxing in her favourite sunbeam. Cute. Fuzzy. A little smile pulling at her lips. Probably dreaming of dismembering something.
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Jalapeños from Mexico, tomatoes from Alberta, beef from Alberta, tortillas from Canada. Everything I needed with one exception: every onion on the shelf that day was grown in the USA.
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I started smoking. Worse, I convinced my eldest son to start too. Not coffin nails: matching pellet smokers, because briquettes stopped fitting my backyard milieu and I wanted something with soul.
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Charlie and Mabel were left for dead in a snowbank two years ago. We took them in and gave them a job: watch the shop, report anything unusual. Today, no girls. Just an open window and a light rain.
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Four little boys, one hot Friday, and a gas station counter full of candy. Their bikes were lined up outside like getaway vehicles. Some things haven't changed in forty-plus years.
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100 Days of Writing and Doodling started strong, then went off a cliff like Thelma and Louise. This is not a new problem. I drive off the cliff, land it — albeit in pieces — reassemble, stop for an espresso, and carry on.
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It happens with no rhythm, no rhyme. One hair, one inch, in a place it didn't exist yesterday. Not a thatch. Just one. Eyebrow, then shoulder, and today, gloriously, my neck.
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I am old enough to know how to change the ribbon on a manual typewriter. One that smells of wormwood and sugar cubes, scarred with cigarette burns. Would I write on one today? Maybe for a page.
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There at my feet, across from Sidney's best fish and chips, lay a beautiful if inexpensive piece of jewellery. I looked around for someone clutching their neck. Not a soul.
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I plan on being kind to myself as I cobble this together. Inspiration? I'll paw through the pictures on my phone, find one that has a story and write something about it. I'm setting a word count of 750 and will give myself a little reward every time I'm within 10 or 20 words of the limit. Little rewards are just that. Maybe I'll have a nap. Or a bubble bath.
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